CHATSWORTH SUMMER FINE ART SALE May 28th & 29th 2024

58 IMPERFECTIONS NOT STATED Fonsie Mealy’s Est. 1934 594. Maps: Hondius (Joc.) Dorsetshyre, Withe the Shyre towne of Dorchester described... 1610. An original engraved map, approx. 39cms x 52cms (15½” x 20½”), with contemporary hand colouring; also Hantshire (Hampshire)- described and divided, by Hondius, Lond. c. 1620, approx. 41cms x 54cms (16” x 20½”), original engraved map, both in hogarth frames. (2) Provenance: The Dillon-Mahon Family, by direct descent. €150 - €200 595. Silk Embroidered Pictures: Sparrow of Paradise, an attractive bird; Abbey Ruins with Figures in foreground; An Olde English Cottage, Church by a Bridge, with Figures in foreground; & A Young Girl holding a dog by a Cottage Window, 5 in all, oak & gilt frames, mostly early 19th Century, as coll., w.a.f. (5) Provenance: The Dillon-Mahon Family, by direct descent. €200 - €300 596. An early 19th Century oval needlework Sampler, “Map of England andWales,” 51cms (20”) high, gilt frame. (1) Provenance: The Dillon-Mahon Family, by direct descent. €100 - €150 597. Coloured Prints: “The Death of General Wolfe at Quebec,” Printed for R. Sayer & J. Bennett, 1779; and its companion “Peace Raising Commerce,”with contemporary colouring, Hogarth frames. (2) Provenance: The Dillon-Mahon Family, by direct descent. €100 - €150 598. After James Malton (1761-1803) "View of the Law Courts, Dublin", approx. 41.5cms x 61cms (16½” x 24”) This impressive sepia and watercolour painting of the Four Courts in Dublin, by an unknown artist, is closely based on James Malton’s engraving of the same subject. The painting appears to date from around 1800, and so would have been done not long after Malton’s aquatint view was published, in the 1790’s. Although Signed ‘Malton’ it is probably by a follower of the artist. (1) €350 - €450 599. 19th Century Italian School “A Roman Ruin,”watercolour, inscribed lower left and right, 51cms x 30cms (20” x 12”). (1) €100 - €150 600. FrancisWiles, Irish (1889-1956) “Side Profile of an elegant Young Woman,” marble, Signed and inscribed on side approx. 54cms x 24cms (21¼” x 9½”). See lot 805. (1) Provenance: The Bell Gallery, the Personal Collection of Nelson Bell. €700 - €800 601. George Morland, British (1763-1804) “Stable Scene with Farm Manager and Helper tending to Sheep,”O.O.C., Signed, lower left, approx. 30cms x 40cms (12” x 16”), in contemporary ornate gilt frame. (1) €500 - €700 602. 19th Century Continental School “Milking Time,”watercolour, depicting farmer seated with cows in field, approx. 38cms x 27cms (15” x 10½”), Signed lower left, gilt frame. (1) €150 - €200 603. T. Allen, 19th Century Irish School “Fred Archer on board Ormonde,” watercolour, approx. 40cms x 30cms (15¾” x 12”), Signed lower right, later frame. (1) €150 - €200 604. Terence Coyle, RUA (b. 1972) “Lakeside View of Lough Neagh,”O.O.C., landscape view of Lake with Mountains in distance, approx. 54cms x 92cms (21” x 36”), Signed lower right, gilt frame. (1) Provenance: The Bell Gallery, the Personal Collection of Nelson Bell €500 - €600 605. Terence Coyle, RUA (b. 1972) “Malin Head, Co. Donegal,”O.O.C., approx. 61cms x 78cms (24” x 8½”), Signed lower left, in silver frame. (1) Provenance: The Bell Gallery, the Personal Collection of Nelson Bell. €500 - €700 606. Terence Coyle, R.U.A. (b. 1972) “Country House Lane,”O.O.C., approx. 71cms x 91cms (28” x 36”)m Signed lower left, in silvered frame. (1) Provenance: The Bell Gallery, the Personal Collection of Nelson Bell. €500 - €700 607. 19th Century Continental School “Vesuvius Erupting,”O.O.C., (laid down) busy Coastal Scene, with figures on quay observing and boats in the bay with houses in the distance, approx. 29cms x 52cms (11½” x 20½”), gilt frame. (1) €250 - €320 600 607